#IFFR film 7: L'ultimo Terrestre (Gianni Pacinotti, Italy): 4/5
milov.nl
Interaction design • webdevelopment • web art • photography
February 2012
vraag me af waar het grote #IFFR dashboard in geprogrammeerd is / op draait... #rondehoekjes
January 2012
RT @ikreis: Wil iemand even zijn jas komen afgeven bij de garderobe van de schouwburg? Ik verveel me. #IFFR #vrijwilliger
still six #IFFR films to go: L'ultimo Terrestre, Kotoko, King Curling, Miss Bala, Un nuage dans un verre d'eau, I Wish (Kore-eda!)
#IFFR film 6: Tokyo Playboy Club (Yosuke Okuda, JP): 4/5
actor Merijn de Jong and director Fow Pyng Hu of "Nick"
damaged beschadigd kaputt in De Doelen
Masahiro Kobayashi, director of Women on the Edge, on the roof of De Doelen
#IFFR film 5: Nick (Fow Pyng Hu, NL): 4/5. Bonus point for dogs running in the rain ♥
#IFFR film 4: Egg and Stone / 鶏蛋和石頭 (Huang Ji, China): 3/5
#IFFR film 3: A Simple Life / 桃姐 (Ann Hui, Hong Kong): 4/5
#IFFR 2012: beetje Wordfeuden moet kunnen tijdens het wachten http://flic.kr/p/bjZipR
Yoni Brook and Musa Syeed, cinematographer and director of Valley of Saints
IFFR 2012 Big Talk with Miike Takashi
#IFFR film 2: Ace Attorney (Miike Takashi, JP): 3/5
August 2011
singing along to @bruce_peninsula again. #SmallTownMurderSongs #IFFR
April 2011
at @ImagineAFFF to see one of my missed @IFFR films, Takashi Miike's "13 Assassins"
February 2011
faves of my 19 #IFFR 2011 films: Cirkus Columbia, PinoySunday, 22Mei, Illégal, SmallTownMurderSongs, The Days After, Tuesday After Christmas
#IFFR film 19: Water Hands: 2.5/5: lovely footage of photogenic natural/urban landscapes, but a bit too slow to enjoy as 3rd film of the day
#IFFR film 18: 22 Mei (Koen Mortier, BE): 4/5. original, intense, gritty, surreal, moving, even a bit funny
#IFFR film 17: The Journals of Musan (Park Jung-Bum, KR): 3.5/5
#IFFR film 16: Kaidan (2nd viewing). Had to go see this one again and witness the presence of all 4 directors! http://flic.kr/p/9fcDas
#IFFR film 15: Tuesday, after Christmas (Radu Muntean, Romania): 4/5. filled with amazing 10-minute-long single-shot scenes
Ochiai, Lee Sang-Il, Tsukamoto, Kore-eda @ Kaidan screening: http://flic.kr/p/9fcDas #iffr
IFFR 2011
#IFFR film 14: Illégal (Olivier Masset-Depasse, BE): 4.5/5. Intense, moving, wow. followed by nice q&a w/director in @LantarenVenster lobby
#IFFR film 13: Pinoy Sunday (Ho Wi-ding, TW): 4.5/5. fun fun fun! a film that you leave whistling or singing
RT @frenchy_rjp: #IFFR2011 #IFFR @milo - you're famous! Check today's Daily Tiger p7..
zaal 1 in nieuwe Lantaren/Venster ruikt lekker naar nieuw hout. #iffr
#IFFR film 12: Cirkus Columbia (Danis Tanovic): 5/5! my fave so far, great film by director of No Man's Land
#IFFR film 11: Outrage (Takeshi Kitano, JP): 3.5/5
January 2011
#IFFR film 10: Characters (Son Kwang-Ju): 3/5. original, perhaps too abstract/meta story in gorgeously composed HD shots. world premiere!
#IFFR film 9: The High Life (Zhao Dayong, CN): 3/5. photogenic urban rooftops and streets, poetry-writing prison guards, nice
#IFFR film 8: Oki's Movie (KR): 3.5/5. seeing any new Hong Sang-soo film always makes me understand his previous ones slightly better
#IFFR film 7: Somewhere (Sofia Coppola, US): 3.5/5. nice to hear some Phoenix music in the soundtrack
#IFFR film 6: Kaidan Horror Classics (JP): 4/5. long sit, was worth it for the final short, Kore-eda's moving and beautiful "The Days After"
#IFFR film 5: Zebraman 2 (Takashi Miike, JP): 3/5
day off from #IFFR today, continuing tomorrow with Zebraman 2, Kaidan, Somewhere and Oki's Movie
#IFFR film 4: Pure Asia (Katashima Ikki, JP): 3/5. tasty b/w shots, unfortunate silly ending
#IFFR film 3: South Asian Shorts: SolaceOfLoneliness: 3.5/5. fine poetic collection of indian/pakistani/srilankan shorts by young directors
#IFFR film 2: Small Town Murder Songs (Ed Gass-Donnelly): 4/5. Great lead performance by Peter Stormare, awesome music by Bruce Peninsula
#IFFR film 1: el invierno de los raros (Rodrigo Guerrero, Argentina): 3/5
RT @AFFR: You can do many movies at the # IFFR 2011. A few tips from the AFFR for architects and planners. http://bit.ly/hkBR7k
deel je #IFFR agenda: klik "deel mijn agenda" op http://iffr.nl/nl/myiffr/?t=agenda , mail jezelf, klik Koop Tickets in mail, kopieer url
#IFFR zin in 13 Assassins, EssentialKilling, Headshots, Kaidan, Zaborgar, King's Speech, Oki's Movie, Outrage, Parked, Somewhere, Tiger Eyes
niet lang hoeven zoeken naar VK #iffr bijlage zoals sommige mensen op twitter, maar fijn weer kunnen ophalen bij m'n vaste bron, m'n ouders
weer fijn films omcirkelen in volkskrant #iffr bijlage
February 2010
IFFR 2010 various photos
IFFR film 23 (final): Les Barons (Ben Yadir Nabil, Belgium): 4/5
A perfect film to end my festival experience with. Some forced drama, but consistently very funny, through the credits even.
IFFR film 22: Symbol (Matsumoto Hitoshi, Japan): 4/5
The most original film I've seen in a long time. Even more surreal than Matsumoto's previous film Big Man Japan,
and a lot more enjoyable and moving.
IFFR film 21: Police, Adjective (Corneliu Porumboiu, Romania): 3/5
Seemingly boring at first, but saved by some brilliant and long single-shot dialogs on language and meaning of words.
IFFR film 20: Visage (Taiwan/France): 3.5/5
Not as impressive as 2007's I Don't Want To Sleep Alone, but Tsai Ming-liang + Lee Kang-sheng = always good. I wish I could have also caught the Déjà passer series of Taiwanese short films, which featured works by/with both of them.
IFFR film 19: Café Noir / 카페 느와르 (Jung Sung-Il, South Korea): 4/5
Wow, very long at over 3 hours (they even included a 15 minute break in the middle which is rare for a festival showing), but quite something special, especially for those well versed in Korean films. Luckily the second half was even better than the first. An interesting mix of styles, switching from colour to b/w for some scenes etc. And I've never seen the city of Seoul itself used as a character quite as beautifully like this, with long single-take shots where the camera just glides along the streets or river for minutes and minutes.
Also: it wasn't until the credits that I realized one of the characters that looked so familiar to me was played by indie music star Yozoh! The little keyboard she continuously carried on her back should have been a hint, I suppose.
IFFR film 18: My Daughter (Charlotte Lay Kuen Lim, Malaysia): 2.5/5
IFFR film 16: Eighteen / 회오리 바람 (Jang Kun-Jae, South Korea): 3.5/5
IFFR film 15: Twisted Roots / Väärät Juuret (Finland): 4/5
Another one of my favourites of this year. Colourful family story, in pretty Finnish winter scenes that (as explained by director Saara Saarela during the Q&A) had to be shot quickly during the 2.5 hours of daylight available each day. Nice soundtrack too.
